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<channel>
	<title>Anna Nolda Nagele</title>
	<link>https://annanoldanagele.com</link>
	<description>Anna Nolda Nagele</description>
	<pubDate>Sun, 01 Nov 2020 17:29:55 +0000</pubDate>
	<generator>https://annanoldanagele.com</generator>
	<language>en</language>
	
		
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		<title>Splash Page</title>
				
		<link>https://annanoldanagele.com/Splash-Page</link>

		<pubDate>Sun, 01 Nov 2020 16:35:17 +0000</pubDate>

		<dc:creator>Anna Nolda Nagele</dc:creator>

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		<description>

Anna is a Design Researcher, Editor and Lecturer based in Austria and the UK.



︎</description>
		
	</item>
		
		
	<item>
		<title>Info</title>
				
		<link>https://annanoldanagele.com/Info</link>

		<pubDate>Sun, 01 Nov 2020 16:35:17 +0000</pubDate>

		<dc:creator>Anna Nolda Nagele</dc:creator>

		<guid isPermaLink="true">https://annanoldanagele.com/Info</guid>

		<description>Research.
For my PhD research in Media and Arts Technology at Queen Mary University of London I developed “a posthumanist strategy for designing wearable sleep-trackers”. I devised a mixed-methods research approach including a discourse analysis, an autoethnographic study, design fiction and a speculative design workshop. Thesis submitted in March 2024.
Supervisors: Dr Julian Hough &#38;amp; Dr Zara Dinnen

In 2016 I completed the MA Innovation Management from Central Saint Martins. My thesis Once Upon a Future Time focused on trend-forecasting and the power of stories to instigate change.

Publications. [Google Scholar Profile]


Nagele AN (Forthcoming)&#38;nbsp;The Subjectivities of Wearable Sleep-Trackers: A Critical Posthumanist Discourse Analysis. In De Cristofaro D (Ed.), Sleep and Its Meanings: Essays from Critical Sleep Studies. The MIT Press.

Nagele AN, and Hough J (2024) "The sleep data looks way better than I feel." An Autoethnographic Account and Diffractive Reading of Sleep-Tracking. In Frontiers in Computer Science, Sec. Human-Media Interaction, Volume 6 - 2024. DOI: https://doi.org/10.3389/fcomp.2024.1258289

Nagele AN, Hough J, and Dinnen Z (2022) The Subjectivities of Wearable Sleep-Trackers - A Discourse Analysis. In CHI Conference on Human Factors in Computing Systems Extended Abstracts (CHI EA '22). Association for Computing Machinery, New York, NY, USA, Article 385, 1–8. DOI:&#38;nbsp;https://doi.org/10.1145/3491101.3519677

Nagele AN (2021) Sleep-Mode: On Sleeping With Wearable Technology. In Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction (TEI '21). Association for Computing Machinery, New York, NY, USA, Article 71, 1–5. DOI:&#38;nbsp;https://doi.org/10.1145/3430524.3443689 

Nagele AN, Bauer V, Healey PGT, Reiss JD, Cooke H, Cowlishaw T, Baume C and Pike C (2021) Interactive Audio Augmented Reality in Participatory Performance. In&#38;nbsp;Frontiers in Virtual Reality 1:610320. DOI: https://doi.org/10.3389/frvir.2020.610320

Bauer V, Nagele AN, Baume C, Cowlishaw T, Cooke H, Pike C, Healey PGT (2019) Designing an Interactive and Collaborative Experience in Audio Augmented Reality. In: Bourdot P, Interrante V, Nedel L, Magnenat-Thalmann N, Zachmann G (eds) Virtual Reality and Augmented Reality. EuroVR 2019. Lecture Notes in Computer Science, vol 11883. Springer, Cham. 
DOI: https://doi.org/10.1007/978-3-030-31908-3_20
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	<item>
		<title>Projects</title>
				
		<link>https://annanoldanagele.com/Projects-1</link>

		<pubDate>Sun, 01 Nov 2020 17:29:55 +0000</pubDate>

		<dc:creator>Anna Nolda Nagele</dc:creator>

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		<description>
	Category

	Project

	Year


    Research
    "The sleep data looks way better than I feel." An Autoethnographic Account and Diffractive Reading of Sleep-Tracking
    2024


    Writing
    Sleep-Tracking and the Climate Crisis: Four Design Fictions&#60;img width="984" height="1532" width_o="984" height_o="1532" data-src="https://freight.cargo.site/t/original/i/36b1dc4ceca401ad98f9b4a54f8b64ab2d36ed56a5578aaddd9a553a39767b3d/Screenshot-2024-04-30-at-18.56.23.png" data-mid="210036878" border="0"  src="https://freight.cargo.site/w/984/i/36b1dc4ceca401ad98f9b4a54f8b64ab2d36ed56a5578aaddd9a553a39767b3d/Screenshot-2024-04-30-at-18.56.23.png" /&#62;
    2024


	Writing
	The Technologies Colonising Your Sleep and Dreams&#60;img width="1020" height="1442" width_o="1020" height_o="1442" data-src="https://freight.cargo.site/t/original/i/cb33f18bfbce3b3eeede4b940b95bf8a6f45d300f7b11b90285896b433e07802/Screenshot-2024-04-30-at-18.49.03.png" data-mid="210036664" border="0"  src="https://freight.cargo.site/w/1000/i/cb33f18bfbce3b3eeede4b940b95bf8a6f45d300f7b11b90285896b433e07802/Screenshot-2024-04-30-at-18.49.03.png" /&#62;
	2023


	Presentation
	Somnambulations: My sleep data looks way better than I feel.&#60;img width="1020" height="896" width_o="1020" height_o="896" data-src="https://freight.cargo.site/t/original/i/2df48004b13f44854f1d5388a614aab44d87e3261a855b85aa5d582d6cfe11e2/Screenshot-2023-09-17-at-21.44.35.png" data-mid="191033458" border="0"  src="https://freight.cargo.site/w/1000/i/2df48004b13f44854f1d5388a614aab44d87e3261a855b85aa5d582d6cfe11e2/Screenshot-2023-09-17-at-21.44.35.png" /&#62;
	2023


	Publication
	The Posthumanist #2 - Rhythms / Rhythmen&#60;img width="1135" height="1549" width_o="1135" height_o="1549" data-src="https://freight.cargo.site/t/original/i/0320aaf6fde3ce75e7fa8db49167ca58b64562c5ea5a184b8d52ff292fdcb1b5/Artboard-224-copy-142x.png" data-mid="191032923" border="0"  src="https://freight.cargo.site/w/1000/i/0320aaf6fde3ce75e7fa8db49167ca58b64562c5ea5a184b8d52ff292fdcb1b5/Artboard-224-copy-142x.png" /&#62;
	2023


	Workshop
	Translating Rhythms: Designing Technology for the More-than-Human&#60;img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d5a6eb0c95c21d73889f325db1ec49b09eba17d9b0ccde7ea26b4ce3c95e1be0/STEAMWorkshop_2.JPG" data-mid="191031637" border="0"  src="https://freight.cargo.site/w/1000/i/d5a6eb0c95c21d73889f325db1ec49b09eba17d9b0ccde7ea26b4ce3c95e1be0/STEAMWorkshop_2.JPG" /&#62;
	2023



	Presentation
	Sleep Salon 10: Quantified Sleep
	2022


	Publication
	The Posthumanist #1 - Sleep / Schlaf&#60;img width="1368" height="1866" width_o="1368" height_o="1866" data-src="https://freight.cargo.site/t/original/i/1aba26d508ff75c6944fd6425a9dd4bb9d1bc86a40fa3a4e23fd69478d7c5d39/The-Posthumanist-final-Cover.png" data-mid="191031115" border="0"  src="https://freight.cargo.site/w/1000/i/1aba26d508ff75c6944fd6425a9dd4bb9d1bc86a40fa3a4e23fd69478d7c5d39/The-Posthumanist-final-Cover.png" /&#62;
	2022


	Presentation
	Affective Relationships between Wearable Sleep Trackers and their Users
	2022


	Research
	The Subjectivities of Wearable Sleep-Trackers - A Discourse Analysis
	2022


	Curation
	Intersections 2021: Bodies/technologies &#60;img width="1406" height="804" width_o="1406" height_o="804" data-src="https://freight.cargo.site/t/original/i/6b39e5e5b394a4af4d2ec9575a58552b78f427012d6cf2fe0ee8077f1a44be88/Screenshot-2021-09-26-at-20.00.26.png" data-mid="119918424" border="0"  src="https://freight.cargo.site/w/1000/i/6b39e5e5b394a4af4d2ec9575a58552b78f427012d6cf2fe0ee8077f1a44be88/Screenshot-2021-09-26-at-20.00.26.png" /&#62;
	2021

	Research
	Sleep-Mode: On Sleeping With Wearable Technology
	2021

	Writing
	ADJACENT: Take Me By The Wrist
	2020

	Curation
	Ars Electronica: SANDBOX (R)EVOLUTION &#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/d26e821e19e32cf9105ff4c2d11576f102162560a91ae5399493a45d3596a38d/48704778877_8e8ef2d045_o.jpg" data-mid="87387255" border="0"  src="https://freight.cargo.site/w/1000/i/d26e821e19e32cf9105ff4c2d11576f102162560a91ae5399493a45d3596a38d/48704778877_8e8ef2d045_o.jpg" /&#62;
	2019

	Research
	Designing an Interactive and Collaborative Experience in Audio Augmented Reality&#60;img width="4256" height="2832" width_o="4256" height_o="2832" data-src="https://freight.cargo.site/t/original/i/c1db9c67f62f3d1e55468daa25fc438ddd1211e73f2498a4a727febd77da7856/_DSC3696.JPG" data-mid="87387342" border="0"  src="https://freight.cargo.site/w/1000/i/c1db9c67f62f3d1e55468daa25fc438ddd1211e73f2498a4a727febd77da7856/_DSC3696.JPG" /&#62;
	2019

	Research
	BBC R&#38;amp;D: Please Confirm You Are Not A Robot&#60;img width="4256" height="2832" width_o="4256" height_o="2832" data-src="https://freight.cargo.site/t/original/i/829e116cfae7217963deb893abd8ec73261f5484512ebfce2e4d39e79de5d7e2/_DSC3803.JPG" data-mid="87497856" border="0"  src="https://freight.cargo.site/w/1000/i/829e116cfae7217963deb893abd8ec73261f5484512ebfce2e4d39e79de5d7e2/_DSC3803.JPG" /&#62;
	2019

	Interactive
	Machina Incantatii&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2273b80c884523dddc78b09ad7ea4b38f94bedda177d33a39451ccf00f2e7a4a/DSC03337.jpg" data-mid="87387059" border="0"  src="https://freight.cargo.site/w/1000/i/2273b80c884523dddc78b09ad7ea4b38f94bedda177d33a39451ccf00f2e7a4a/DSC03337.jpg" /&#62;
	2019

	Documentary
	EX:TENSION&#60;img width="2876" height="1611" width_o="2876" height_o="1611" data-src="https://freight.cargo.site/t/original/i/6e1eb669a6fc2260acc03d279cc7f427d09f317d532b935be34fb8fe159240c9/EXTENSION.png" data-mid="87387658" border="0"  src="https://freight.cargo.site/w/1000/i/6e1eb669a6fc2260acc03d279cc7f427d09f317d532b935be34fb8fe159240c9/EXTENSION.png" /&#62;
	2019

	Interactive
	What the Duck?!&#60;img width="1488" height="984" width_o="1488" height_o="984" data-src="https://freight.cargo.site/t/original/i/18be2dea19d1899b0bf7707d624755f59b68f711f3c11808be7c05f26578ee68/Screen-Shot-2019-01-19-at-13.02.52.png" data-mid="87387139" border="0"  src="https://freight.cargo.site/w/1000/i/18be2dea19d1899b0bf7707d624755f59b68f711f3c11808be7c05f26578ee68/Screen-Shot-2019-01-19-at-13.02.52.png" /&#62;
	2018

	Soundscape
	Shy Sound&#60;img width="2734" height="1474" width_o="2734" height_o="1474" data-src="https://freight.cargo.site/t/original/i/a78dbe6035a8c73c654b43563d2ce63718587881eac3095b75d396fd08fdd159/48383536_195737371380043_4677353332489060352_n.jpg" data-mid="87387099" border="0"  src="https://freight.cargo.site/w/1000/i/a78dbe6035a8c73c654b43563d2ce63718587881eac3095b75d396fd08fdd159/48383536_195737371380043_4677353332489060352_n.jpg" /&#62;
	2018

	Workshop
	AcrossRCA: SenseAbility&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/863bf2f1639863c78ae9f844160ee3c751e3763716d170762769ea3306bb4d47/IMG_4222.jpeg" data-mid="87498352" border="0"  src="https://freight.cargo.site/w/1000/i/863bf2f1639863c78ae9f844160ee3c751e3763716d170762769ea3306bb4d47/IMG_4222.jpeg" /&#62;
	2018

	Interactive
	Tank Peace
	&#60;img width="1916" height="958" width_o="1916" height_o="958" data-src="https://freight.cargo.site/t/original/i/e76cfaae51b54f1f8b2eb018786d1242568570033d651bc4224d9520952d5a0b/Screen-Shot-2019-02-11-at-13.44.10.png" data-mid="87387118" border="0"  src="https://freight.cargo.site/w/1000/i/e76cfaae51b54f1f8b2eb018786d1242568570033d651bc4224d9520952d5a0b/Screen-Shot-2019-02-11-at-13.44.10.png" /&#62;2018

	Research
	EY &#38;amp; Made by Dyslexia: The value of Dyslexia
	2018

	Writing
	THECUBE Magazine:&#38;nbsp;Truths: An investigation on navigating individual and collective realities
	2017

	Writing
	Shelf Heroes Magazine: Frances Ha&#60;img width="1280" height="693" width_o="1280" height_o="693" data-src="https://freight.cargo.site/t/original/i/b636869c60a7f8bf6cf03b8ce20cdb6ed90341cc8733303e555353a275ad325d/large-screenshot3.jpg" data-mid="87387138" border="0"  src="https://freight.cargo.site/w/1000/i/b636869c60a7f8bf6cf03b8ce20cdb6ed90341cc8733303e555353a275ad325d/large-screenshot3.jpg" /&#62;
	2017

	Workshop
	Internet Age Media X UAL Futures Studio
	2017

	Writing
	Wisp: Embrace Your Cyborg Intimacy&#60;img width="2034" height="1338" width_o="2034" height_o="1338" data-src="https://freight.cargo.site/t/original/i/334bb241f805dc1309409d583707fdbf17d30a241b3b8fbe7913f1c2d7adf1b1/002.png" data-mid="87387115" border="0"  src="https://freight.cargo.site/w/1000/i/334bb241f805dc1309409d583707fdbf17d30a241b3b8fbe7913f1c2d7adf1b1/002.png" /&#62;
	2017


	Writing
	MAIM Blog: Everything you wanted to know about trends, but were afraid to ask: An Interview with the editors of The Alpine Review&#60;img width="2032" height="1336" width_o="2032" height_o="1336" data-src="https://freight.cargo.site/t/original/i/123b714943398c687d018e05d1b6b775542b75ea833eb292d137eaf6b7d5e168/Screen-Shot-2016-06-27-at-15.37.21.png" data-mid="87387077" border="0"  src="https://freight.cargo.site/w/1000/i/123b714943398c687d018e05d1b6b775542b75ea833eb292d137eaf6b7d5e168/Screen-Shot-2016-06-27-at-15.37.21.png" /&#62;
	2016


	Research
	Once Upon A Future Time&#60;img width="1211" height="708" width_o="1211" height_o="708" data-src="https://freight.cargo.site/t/original/i/14e07477b4d77bb13fb59a9c10fc40015d05c1b7e47239f928f97ce179438741/004-sigmar-polke-theredlist.png" data-mid="87387074" border="0"  src="https://freight.cargo.site/w/1000/i/14e07477b4d77bb13fb59a9c10fc40015d05c1b7e47239f928f97ce179438741/004-sigmar-polke-theredlist.png" /&#62;
	2015

	Research
	The Local Authority of the Future&#60;img width="1000" height="1188" width_o="1000" height_o="1188" data-src="https://freight.cargo.site/t/original/i/dedd97d33a8dbd7de08944b6e353ae994c924b504370d4c5b76370e01a3bbc6b/Screen-Shot-2017-02-25-at-15.53.33.png" data-mid="87387091" border="0"  src="https://freight.cargo.site/w/1000/i/dedd97d33a8dbd7de08944b6e353ae994c924b504370d4c5b76370e01a3bbc6b/Screen-Shot-2017-02-25-at-15.53.33.png" /&#62;
	2015

	Writing
	Boon and Bane of the Internet of Things&#60;img width="990" height="656" width_o="990" height_o="656" data-src="https://freight.cargo.site/t/original/i/df010c8e3b50da553f40b22106834c967e490b13e35cba4c182d284c8ec502d7/tomas-saraceno_2009.jpg" data-mid="87387071" border="0"  src="https://freight.cargo.site/w/990/i/df010c8e3b50da553f40b22106834c967e490b13e35cba4c182d284c8ec502d7/tomas-saraceno_2009.jpg" /&#62;
	2014

	Writing
	Nostalgia vs. Consumer Technology&#60;img width="594" height="480" width_o="594" height_o="480" data-src="https://freight.cargo.site/t/original/i/1b6464783fc931a832b37dcd6043f2bf6430a7483c74908f1165eb3a64e43333/326_medium.jpg" data-mid="87387066" border="0"  src="https://freight.cargo.site/w/594/i/1b6464783fc931a832b37dcd6043f2bf6430a7483c74908f1165eb3a64e43333/326_medium.jpg" /&#62;
	2014
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		<title>About Anna</title>
				
		<link>https://annanoldanagele.com/About-Anna</link>

		<pubDate>Fri, 14 Sep 2018 13:11:47 +0000</pubDate>

		<dc:creator>Anna Nolda Nagele</dc:creator>

		<guid isPermaLink="true">https://annanoldanagele.com/About-Anna</guid>

		<description>
	&#60;img width="1476" height="1929" width_o="1476" height_o="1929" data-src="https://freight.cargo.site/t/original/i/df0ca44b309d9680a199f96894d3d5bc869b25109f3955e3b43cfc33cce51588/DSC_0345.JPG" data-mid="87296585" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/df0ca44b309d9680a199f96894d3d5bc869b25109f3955e3b43cfc33cce51588/DSC_0345.JPG" /&#62;
	I have worked in service design and digital innovation for over 10 years as a consultant and facilitator, supporting organisations through change and enabling new design led approaches to today's challenges. My interdisciplinary work de-centers the human and recognises people and organisations as deeply enmeshed with natural, cultural and technological systems.

As a researcher and editor of The Posthumanist magazine I am interested in the entanglements of nature, culture and technology. I practice research by making use of a broad range qualitative and quantitative methods and by organising participatory workshops. In 2024 I have submitted my PhD thesis with the title&#38;nbsp;“A Posthumanist Strategy for Designing Wearable Sleep Trackers”.
As a senior lecturer in design history and theory at the University of Applied Arts Vienna I teach design as an emergent material and technological practice. I also teach design thinking and qualitative research methods on the BA and MA Design Management at the London College of Communication, University of the Arts London, where I supervise theses and final projects.
	

 


Clients and Partners
University of the Arts London, BBC R&#38;amp;D, Queen Mary University of London, Wisp Ltd.,&#38;nbsp; WEARSustain, ASOS, Made by Dyslexia, EasyJet, O2, Vodafone, Imperial College London, Royal College of Art, Lloyds Banking Group, ÖBB, Natur im Garten, Lamudi



	
Contact
anna.n.nagele@gmail.com
	Follow

Twitter

LinkedIn
Instagram



CV
Senior Lecturer @ University of Applied Arts ViennaDesign History and Theory*07 / 2023 - present &#124; VIENNAEditor in Chief @ The Posthumanist
*03 / 2022 - present &#124; EVERYWHERE
Associate Lecturer @ UAL, London College of CommunicationDesign Management*01 / 2021 - present &#124; LONDON

Teaching Assistant @ Queen Mary University of London
Interaction Design
Computational Creativity
Professional &#38;amp; Research Practice
*01 / 2019 - 02 / 2023 &#124; LONDON




	Audio AR Research &#38;amp; Experience Design @ BBC R&#38;amp;D*04 / 2019 - 08 / 2019 &#124; LONDON
Experience Designer &#38;amp; Design Researcher @ Wisp *08 / 2016 - 02 / 2019 &#124; LONDON

Business &#38;amp; Service Designer @ EYSeren*10 / 2017 - 09 / 2018 &#124; LONDON

Production Assistant @ Internet Age Media X UAL Futures Studio *03 / 2017 &#124; LONDON

Sizing Coordinator @ ASOS.com
*10 / 2016 - 03 / 2017 &#124; LONDON


	Field Researcher @ Stylus Innovation &#38;amp; Advisory*11 / 2015 - 03 / 2016 &#124; LONDON
Marketing &#38;amp; Sales Assistant @ A Day In A Life*08 / 2015 - 10 / 2015 &#124; LONDON

Business Development &#38;amp; Salesforce Manager @&#38;nbsp;Rocket Internet*09 / 2013 - 07 / 2014 &#124; BERLIN

Foreign Trade Trainee @&#38;nbsp;Advantage Austria&#38;nbsp;
*05 / 2013 - 06 / 2013 &#124; TOKYO

Assistant Digital Consultant @&#38;nbsp;Integra Performance
*08 / 2012 - 04 / 2013 &#124; VIENNA


	Education
PhD Candidate in Media and Arts Technology @ Queen Mary University London (EPSRC &#38;amp; AHRC Scholarship)
*09 / 2018 - 03 / 2024 &#124; LONDON

MA Innovation Management (Distinction) @ Central Saint Martins College of Art and Design&#38;nbsp;
*10 / 2014 - 06 / 2016 &#124; LONDON

BSc International Business Administration (Top 5%) @&#38;nbsp;Vienna University of Economics and Business
*10 / 2009 - 04 /2013 &#124; VIENNA

Erasmus @ Libera Università Internationale degli Studi Sociali Guido Carli (LUISS)&#38;nbsp;
*09 / 2011 - 02 / 2012 &#124; ROME


	Courses
PgCert Academic Practice in Art, Design and Communication @ UAL
*2024 &#124; LONDON
Graphic Design Short Course @ UAL, Central Saint Martins College of Art and Design
*2017 &#124; LONDON

Designing a Business @ IDEO U
*2018 &#124; ONLINE
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